Dexter Fletcher

Although it’s never pleasant for those involved in a highly anticipated and often expensive film to see it fail commercially, there is often a feeling of schadenfreude in watching a dismal, empty piece of blockbuster cinema being discovered for the con it is and being roundly rejected by audiences. It has happened on several occasions so far this year, with the irrelevant superhero film The Flash, the pointless fifth instalment in the Indiana Jones series and the dismal Disney trudge The Haunted